Racing the Great White Way
-15%
portes grátis
Racing the Great White Way
Black Performance, Eugene O'Neill, and the Transformation of Broadway
Johnson, Katie N.
The University of Michigan Press
07/2023
270
Mole
Inglês
9780472055784
15 a 20 dias
Descrição não disponível.
Contents
List of Illustrations
Acknowledgments
Introduction
Chapter 1: The Emperor's Remains
Chapter 2: An Algerian in Paris
Chapter 3: Broadway's First Interracial Kiss
Chapter 4: Racing Operatic Emperors
Chapter 5: Racing the Cut: Black to Ireland
Conclusion: What Remains?
Bibliography
Index
List of Illustrations
Acknowledgments
Introduction
Chapter 1: The Emperor's Remains
Chapter 2: An Algerian in Paris
Chapter 3: Broadway's First Interracial Kiss
Chapter 4: Racing Operatic Emperors
Chapter 5: Racing the Cut: Black to Ireland
Conclusion: What Remains?
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Eugene O'Neill;Paul Robeson;American theater;Harlem Renaissance;Emperor Jones;All God's Chillun Got Wings;African American performance;American film;African American film;Charles Gilpin;Dudley Murphy;Habib Benglia;diasporia;postcolonial performance;breaking color lines;Jules Bledsoe;blackface;Metropolitan Opera;transnational theater
Contents
List of Illustrations
Acknowledgments
Introduction
Chapter 1: The Emperor's Remains
Chapter 2: An Algerian in Paris
Chapter 3: Broadway's First Interracial Kiss
Chapter 4: Racing Operatic Emperors
Chapter 5: Racing the Cut: Black to Ireland
Conclusion: What Remains?
Bibliography
Index
List of Illustrations
Acknowledgments
Introduction
Chapter 1: The Emperor's Remains
Chapter 2: An Algerian in Paris
Chapter 3: Broadway's First Interracial Kiss
Chapter 4: Racing Operatic Emperors
Chapter 5: Racing the Cut: Black to Ireland
Conclusion: What Remains?
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Eugene O'Neill;Paul Robeson;American theater;Harlem Renaissance;Emperor Jones;All God's Chillun Got Wings;African American performance;American film;African American film;Charles Gilpin;Dudley Murphy;Habib Benglia;diasporia;postcolonial performance;breaking color lines;Jules Bledsoe;blackface;Metropolitan Opera;transnational theater
