Chocolate Woman Dreams the Milky Way
Chocolate Woman Dreams the Milky Way
Mapping Embodied Indigenous Performance
Mojica, Monique; Farnell, Brenda
The University of Michigan Press
07/2023
164
Mole
Inglês
9780472056217
15 a 20 dias
Descrição não disponível.
Contents
Acknowledgments
Notes on Contributors
Foreword...Forward: Earth Divers in the House of Balu Wala (Jill Carter)
Prologue: Verbing Art (Monique Mojica)
Chapter 1 Mola Dulad Agbanaed (Living Mola Moving): Reclamations, Reenactments and Creating an Embodied Script
Chapter 2 Dule Wagan Reading Molas (with Sue Patricia Haglund and Gloria Miguel)
Chapter 3 The Road to Gunayala
Chapter 4 Working Process for Mapping Embodied Performance (with Jose A. Colman and Sue Patricia Haglund)
Chapter 5 The Making of Chocolate Woman Dreams the Milky Way: Towards a Culturally Specific Dramaturgy (Ric Knowles)
Chapter 6 Scoring the Body: The Mola Dulad as Movement Score
Chapter 7 Intersections: Pattern Literacy, Metaphor and Mapping
Chapter 8 Chocolate Woman Dreams the Milky Way - Vocal Script
References Cited
Index
Acknowledgments
Notes on Contributors
Foreword...Forward: Earth Divers in the House of Balu Wala (Jill Carter)
Prologue: Verbing Art (Monique Mojica)
Chapter 1 Mola Dulad Agbanaed (Living Mola Moving): Reclamations, Reenactments and Creating an Embodied Script
Chapter 2 Dule Wagan Reading Molas (with Sue Patricia Haglund and Gloria Miguel)
Chapter 3 The Road to Gunayala
Chapter 4 Working Process for Mapping Embodied Performance (with Jose A. Colman and Sue Patricia Haglund)
Chapter 5 The Making of Chocolate Woman Dreams the Milky Way: Towards a Culturally Specific Dramaturgy (Ric Knowles)
Chapter 6 Scoring the Body: The Mola Dulad as Movement Score
Chapter 7 Intersections: Pattern Literacy, Metaphor and Mapping
Chapter 8 Chocolate Woman Dreams the Milky Way - Vocal Script
References Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Native American Theater;Indigenous theater;Land-based embodied research;First Nations Theater;Indigenous Knowledges;Guna molas;Guna pictographic texts;movement literacy;pattern literacy;terra nullius;corpus nullius;Guna aesthetics;land literacy;embodied performance;collaborative creation;movement score;cultural reclamation and healing;collaborative research;embodiment
Contents
Acknowledgments
Notes on Contributors
Foreword...Forward: Earth Divers in the House of Balu Wala (Jill Carter)
Prologue: Verbing Art (Monique Mojica)
Chapter 1 Mola Dulad Agbanaed (Living Mola Moving): Reclamations, Reenactments and Creating an Embodied Script
Chapter 2 Dule Wagan Reading Molas (with Sue Patricia Haglund and Gloria Miguel)
Chapter 3 The Road to Gunayala
Chapter 4 Working Process for Mapping Embodied Performance (with Jose A. Colman and Sue Patricia Haglund)
Chapter 5 The Making of Chocolate Woman Dreams the Milky Way: Towards a Culturally Specific Dramaturgy (Ric Knowles)
Chapter 6 Scoring the Body: The Mola Dulad as Movement Score
Chapter 7 Intersections: Pattern Literacy, Metaphor and Mapping
Chapter 8 Chocolate Woman Dreams the Milky Way - Vocal Script
References Cited
Index
Acknowledgments
Notes on Contributors
Foreword...Forward: Earth Divers in the House of Balu Wala (Jill Carter)
Prologue: Verbing Art (Monique Mojica)
Chapter 1 Mola Dulad Agbanaed (Living Mola Moving): Reclamations, Reenactments and Creating an Embodied Script
Chapter 2 Dule Wagan Reading Molas (with Sue Patricia Haglund and Gloria Miguel)
Chapter 3 The Road to Gunayala
Chapter 4 Working Process for Mapping Embodied Performance (with Jose A. Colman and Sue Patricia Haglund)
Chapter 5 The Making of Chocolate Woman Dreams the Milky Way: Towards a Culturally Specific Dramaturgy (Ric Knowles)
Chapter 6 Scoring the Body: The Mola Dulad as Movement Score
Chapter 7 Intersections: Pattern Literacy, Metaphor and Mapping
Chapter 8 Chocolate Woman Dreams the Milky Way - Vocal Script
References Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Native American Theater;Indigenous theater;Land-based embodied research;First Nations Theater;Indigenous Knowledges;Guna molas;Guna pictographic texts;movement literacy;pattern literacy;terra nullius;corpus nullius;Guna aesthetics;land literacy;embodied performance;collaborative creation;movement score;cultural reclamation and healing;collaborative research;embodiment