Samurai with Telephones

Introduction: Seeing Anachronism Structure of the book
Chapter 1: Towards a Theory of Anachronism
Chapter 2: From Monologic to Dialogic Samurai as Modern Subject in Mori Ogai's "Abe ichizoku"
Bushi and Bourgeois: Monologic Marxism in Kamui-den
A Riot of Anachronism: History and power in Man'en gannen no futtoboru
Resistance to Monologue
Dreaming in anachronism
Chapter 3: Gags With An Agenda: Anachronism In Tezuka Osamu's Hi No Tori Dismantling National Myth with Anachronism
Benkei and the Denaturing of Loyalty
Chapter 4: Speaking The Same Language: Anachronisms Of Interoperability In Contemporary Popular Culture The City of the Future is Edo: Seiba marionetto J
Anachronistic Interoperability of State Institutions in Naruto
Samurai who read Shonen Jump in Gintama
Hip-Hop and Anachronistic Marginality in Samurai chanpuru
Riffs on Tradition: Interoperability in Visual Art
The Severing of Tradition in the Works of Murakami Takashi
Defiantly Appropriating the Past in the Paintings of Tenmyouya Hisashi
Displacing the Samurai in the Works of Noguchi Tetsuya
Chapter 5: Playing With Samurai: Anachronism In Edo Literature Omu-gaeshi bunbu no futamichi
Daihi no senrokuhon
Nise Murasaki inaka Genji
Chapter 6: Acting Out The Past: Anachronism In Edo Theatre Metadramatic anachronism
Appropriating Samurai Heroes in Sukeroku yukari no Edo-zakura
The mago-deshi of the Ancients: Sugawara denju tenarai kagami
Sexy Heroes in Yoshitsune senbon zakura
Conclusion
Bibliography

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• Estudos de meios de comunicação
• História da Ásia

Anachronism; Japanese literature; manga; anime; samurai; Mori Ogai; Oe Kenzaburo; Tezuka Osamu; Murakami Takashi; Tenmyoya Hisashi; Noguchi Tetsuya; Inaka Genji; kibyoshi; kabuki; bunraku; Samurai Champloo; Naruto; Gintama; Saber Marionette J; Kamui-den; Bakhtin; Intertextuality; Postmodernism; metafiction; pastiche; Sukeroku; Chushingura; Sugawara denju tenarai kagami