Mediating Gender in Post-Authoritarian South Korea
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Mediating Gender in Post-Authoritarian South Korea
Song, Jesook; Cho, Michelle
The University of Michigan Press
05/2024
328
Mole
Inglês
9780472056668
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Contents
Acknowledgments
Introduction: Mediating Gender in Post-Authoritarian South Korea
Michelle Cho and Jesook Song
Section I: Historicization of Media: Gender as Platforms and Polemics
Jesook Song
1: Feminism Reboot: neoliberalism, Korean Movies, Misogyny, and Beyond
Hee-jeong Sohn
2: Intermedial Feminism: Megalia and Kangnam Station Exit 10
HyeYoung Cho, translated by Aliju Kim
3: The Birth of "Korean Manhwa and the Discourse of Gendered Realism Since the 1990s
Dahye Kim
4: Gendered Violence, Crisis of Masculinity, and Regressive Transgression in Postmillennial South Korean Crime Thrillers
Miseong Woo
Section II: Consuming Gender: Gendered Consumerism and Consumption of Gendered Claims
Jesook Song
5: Female Pathology and the Marginal Humor in a Thrift Podcast: Kim Saengmin's Receipts
Bohyeong Kim
6: Against Confinement: Degeneration, Mental Disability, and the Conditions of Nonviolence in The Vegetarian
Eunjung Kim
7: Gendered Mediation in Yun Sangho's Saimdang: Memoir of Colors
Youngmin Choe
8: "I Can Speak Because I Am a Mother": The Trope of Motherhood in Mothers' Political Activism Relating to the Sewol Ferry Disaster
Jinsook Kim
Section III: Pop Remediation: Beyond Binary Gender Forms
Jesook Song
9: A Spunky Girl Meets a Queer Boy: Neoliberal Remediation of the Post-Authoritarian Period in the Korean Reply TV Series
Hyun Gyung Kim
10: The Emergence of "Daughter-Fools": The Mediation of Masculinity via New Fatherhood After the 1997 Asian Financial Crisis
Yoon Heo
11: Discontent with Gender and Sexuality in Painter of the Wind
Sunyoung Yang
12: BL-ing Bromance, Bromancing Uiri: Investigating Inter-Male Intimacy in Contemporary Korean Cinema
Moonim Baek
Acknowledgments
Introduction: Mediating Gender in Post-Authoritarian South Korea
Michelle Cho and Jesook Song
Section I: Historicization of Media: Gender as Platforms and Polemics
Jesook Song
1: Feminism Reboot: neoliberalism, Korean Movies, Misogyny, and Beyond
Hee-jeong Sohn
2: Intermedial Feminism: Megalia and Kangnam Station Exit 10
HyeYoung Cho, translated by Aliju Kim
3: The Birth of "Korean Manhwa and the Discourse of Gendered Realism Since the 1990s
Dahye Kim
4: Gendered Violence, Crisis of Masculinity, and Regressive Transgression in Postmillennial South Korean Crime Thrillers
Miseong Woo
Section II: Consuming Gender: Gendered Consumerism and Consumption of Gendered Claims
Jesook Song
5: Female Pathology and the Marginal Humor in a Thrift Podcast: Kim Saengmin's Receipts
Bohyeong Kim
6: Against Confinement: Degeneration, Mental Disability, and the Conditions of Nonviolence in The Vegetarian
Eunjung Kim
7: Gendered Mediation in Yun Sangho's Saimdang: Memoir of Colors
Youngmin Choe
8: "I Can Speak Because I Am a Mother": The Trope of Motherhood in Mothers' Political Activism Relating to the Sewol Ferry Disaster
Jinsook Kim
Section III: Pop Remediation: Beyond Binary Gender Forms
Jesook Song
9: A Spunky Girl Meets a Queer Boy: Neoliberal Remediation of the Post-Authoritarian Period in the Korean Reply TV Series
Hyun Gyung Kim
10: The Emergence of "Daughter-Fools": The Mediation of Masculinity via New Fatherhood After the 1997 Asian Financial Crisis
Yoon Heo
11: Discontent with Gender and Sexuality in Painter of the Wind
Sunyoung Yang
12: BL-ing Bromance, Bromancing Uiri: Investigating Inter-Male Intimacy in Contemporary Korean Cinema
Moonim Baek
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Gender; Sexuality; South Korea; MeToo; South Korean popular culture; South Korean gender wars; South Korean feminism; South Korean film; South Korean television; Online misogyny; Popular feminism; Post-feminism; BL; Anti-feminism; Feminist backlash; Feminist reboot; Anti-misogyny; Media platforms; Mediation; Contemporary South Korean media; South Korean Cultural Studies; sexism; social media; gender critique; gender conventions; cultural debates; gender discourse; gender politics
Contents
Acknowledgments
Introduction: Mediating Gender in Post-Authoritarian South Korea
Michelle Cho and Jesook Song
Section I: Historicization of Media: Gender as Platforms and Polemics
Jesook Song
1: Feminism Reboot: neoliberalism, Korean Movies, Misogyny, and Beyond
Hee-jeong Sohn
2: Intermedial Feminism: Megalia and Kangnam Station Exit 10
HyeYoung Cho, translated by Aliju Kim
3: The Birth of "Korean Manhwa and the Discourse of Gendered Realism Since the 1990s
Dahye Kim
4: Gendered Violence, Crisis of Masculinity, and Regressive Transgression in Postmillennial South Korean Crime Thrillers
Miseong Woo
Section II: Consuming Gender: Gendered Consumerism and Consumption of Gendered Claims
Jesook Song
5: Female Pathology and the Marginal Humor in a Thrift Podcast: Kim Saengmin's Receipts
Bohyeong Kim
6: Against Confinement: Degeneration, Mental Disability, and the Conditions of Nonviolence in The Vegetarian
Eunjung Kim
7: Gendered Mediation in Yun Sangho's Saimdang: Memoir of Colors
Youngmin Choe
8: "I Can Speak Because I Am a Mother": The Trope of Motherhood in Mothers' Political Activism Relating to the Sewol Ferry Disaster
Jinsook Kim
Section III: Pop Remediation: Beyond Binary Gender Forms
Jesook Song
9: A Spunky Girl Meets a Queer Boy: Neoliberal Remediation of the Post-Authoritarian Period in the Korean Reply TV Series
Hyun Gyung Kim
10: The Emergence of "Daughter-Fools": The Mediation of Masculinity via New Fatherhood After the 1997 Asian Financial Crisis
Yoon Heo
11: Discontent with Gender and Sexuality in Painter of the Wind
Sunyoung Yang
12: BL-ing Bromance, Bromancing Uiri: Investigating Inter-Male Intimacy in Contemporary Korean Cinema
Moonim Baek
Acknowledgments
Introduction: Mediating Gender in Post-Authoritarian South Korea
Michelle Cho and Jesook Song
Section I: Historicization of Media: Gender as Platforms and Polemics
Jesook Song
1: Feminism Reboot: neoliberalism, Korean Movies, Misogyny, and Beyond
Hee-jeong Sohn
2: Intermedial Feminism: Megalia and Kangnam Station Exit 10
HyeYoung Cho, translated by Aliju Kim
3: The Birth of "Korean Manhwa and the Discourse of Gendered Realism Since the 1990s
Dahye Kim
4: Gendered Violence, Crisis of Masculinity, and Regressive Transgression in Postmillennial South Korean Crime Thrillers
Miseong Woo
Section II: Consuming Gender: Gendered Consumerism and Consumption of Gendered Claims
Jesook Song
5: Female Pathology and the Marginal Humor in a Thrift Podcast: Kim Saengmin's Receipts
Bohyeong Kim
6: Against Confinement: Degeneration, Mental Disability, and the Conditions of Nonviolence in The Vegetarian
Eunjung Kim
7: Gendered Mediation in Yun Sangho's Saimdang: Memoir of Colors
Youngmin Choe
8: "I Can Speak Because I Am a Mother": The Trope of Motherhood in Mothers' Political Activism Relating to the Sewol Ferry Disaster
Jinsook Kim
Section III: Pop Remediation: Beyond Binary Gender Forms
Jesook Song
9: A Spunky Girl Meets a Queer Boy: Neoliberal Remediation of the Post-Authoritarian Period in the Korean Reply TV Series
Hyun Gyung Kim
10: The Emergence of "Daughter-Fools": The Mediation of Masculinity via New Fatherhood After the 1997 Asian Financial Crisis
Yoon Heo
11: Discontent with Gender and Sexuality in Painter of the Wind
Sunyoung Yang
12: BL-ing Bromance, Bromancing Uiri: Investigating Inter-Male Intimacy in Contemporary Korean Cinema
Moonim Baek
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Gender; Sexuality; South Korea; MeToo; South Korean popular culture; South Korean gender wars; South Korean feminism; South Korean film; South Korean television; Online misogyny; Popular feminism; Post-feminism; BL; Anti-feminism; Feminist backlash; Feminist reboot; Anti-misogyny; Media platforms; Mediation; Contemporary South Korean media; South Korean Cultural Studies; sexism; social media; gender critique; gender conventions; cultural debates; gender discourse; gender politics
