Companion to Impressionism

List of Figures ix

About the Editor xiv

Notes on Contributors xv

Series Editor's Preface xxiii

Acknowledgments xxv

Introduction 1
Andre Dombrowski

Part I What Was Impressionism? What Is an Impression? Definitions and New Directions 9

1 Impressionism and Criticism 11
Marnin Young

2 Rethinking the Origins of Impressionism: The Case of Claude Monet and Corner of a Studio 27
Mary-Dailey Desmarais

3 Monet in the 1880s: The Motif in Crisis 43
Marc Gotlieb

4 As a Glass Eye: Manet's Flower Paintings 61
Briony Fer

5 Figuring Perception: Monet's Leap into Plein Air, 1866-1867 75
Michael Marrinan

6 Pater, Impressionism, and the Undoing of Sense 93
Jeremy Melius

7 The Impressionist Mind: Modern Painting and Nineteenth-Century Readerships 107
Segolene Le Men

Part II Painting as Object: Tools, Materials, and Close Looking 127

8 Impression, Improvisation, and Premeditation: New Insights into the Working Methods and Creative Process of Claude Monet 129
Gloria Groom and Kimberley Muir

9 Piquer, Plaquer: Cezanne, Pissarro, and Palette-Knife Painting 146
Nancy Locke

10 John Singer Sargent's Lady with a Blue Veil and the Matter of Paint 162
Susan Sidlauskas

Part III New Visual Media and the Other Arts 181

11 Painting Photographing Ballooning: At the Boulevard des Capucines 183
Carol M. Armstrong

12 Series and Screens: Seeing Monet's Cathedrals through the Lens of the Cinematograph 201
Marine Kisiel

13 Critical Impressionism: A Painting by Mary Cassatt and Its Challenge to the Social Rules of Art 219
Anne Higonnet

14 James McNeill Whistler: Veiling the Everyday 234
Caroline Arscott

Part IV Impressionism and Identity 251

15 Cassatt's Alterity 253
Hollis Clayson

16 Bazille, Degas, and Modern Black Paris 271
[Excerpt from Posing Modernity: The Black Model from Manet and Matisse to Today, Yale University Press, pp. 70-83, with a new preface. Reprinted with permission from Yale University Press]
Denise Murrell

17 Expert Hands, Infectious Touch: Painting and Pregnancy in Morisot's The Mother and Sister of the Artist 287
Mary Hunter

18 Painting the Prototype: The (Homo)Sexuality of Bazille's Summer Scene 304
Jonathan D. Katz, with Andre Dombrowski

Part V Public and Private 323

19 Revival and Risk: Renoir, Fragonard, and the Epistolary Theme 325
Nina L. Dubin

20 "The Little Dwarf and the Giant Lady:" At Home with Gustave Caillebotte 343
Felix Kraemer

21 Renoir, Impressionism, and the Value of Touch 357
Martha Lucy

22 Morisot's Urbane Ecologies 375
Alison Syme

23 Incorporating Impressionism: The Societe anonyme and the First Impressionist Exhibition in 1874 393
Andre Dombrowski

Part VI World Impressionism 415

24 "Plume Mania:" Degas, Feathers, and the Global Millinery Trade 417
Simon Kelly

25 Home and Alienation in the Colonies: Auguste Renoir in Algiers, Jean Renoir in India 435
Todd Porterfield

26 Impressionism in Japan: The Awakening of the Senses 452
Takanori Nagai

27 Impressionism in Argentina: A Historiographical Discussion 466
Laura Malosetti Costa

28 Turkish Impressionism: Interplays of Culture and Form 484
Ahu Antmen

29 Impressionism and Naturalism in Germany: The Competing Aesthetic and Ideological Imperatives of a Modern Art 499
Alex Potts

Part VII Criticism, Displays, and Markets 517

30 Degenerate Art: Impressionism and the Specter of Crisis in French Painting 519
Neil McWilliam

31 Impressionism through the Prism of New Methods: A Social and Cartographic Study of Monet's Address Book 533
Felicie Faizand de Maupeou

32 Against the Grain: Gustave Caillebotte and Paul Durand-Ruel's Impressionism 547
Mary Morton

33 Are Museum Curators "Very Special Clients?" Impressionism, the Art Market, and Museums (Paul Durand-Ruel and the Musee du Luxembourg at the Turn of the Twentieth Century) 566
Sylvie Patry

34 The Museum of Impressionism, 1947 583
Martha Ward

Index 601

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• Historia da arte / estilos de arte e design

Impressionism; French Impressionism; Impressionism definitions; Impressionism origins; Impressionist painting; Impressionism criticism; Impressionist chronology; Impressionism reception; Impressionism scholarship; Impressionist studies;