Your Historical Loveliness Knows No Bounds

List of Figures
Acknowledgments

Part One
Reading Wang Wei in a Pandemic
Writing Home: On Diasporic Language, Immigration, and Documentary Praxis
Documentary Traces, Relatability, and the Limits of Witness
Notes from the Writing of an Unwritten Novel
Agoraphobe Logics: On Liu Xia, Agoraphobia, and Doubles
Monologue on Intention: 2014- 2017
Disappear Yourself: Unsayability in Henri Michaux and Chase Berggrun

Part Two
Things to Do with Form
Ghost(s) Of: Life and Death, the Shape of Grief, Selected Ghosts
giovanni singleton's American Forms (Black Sisyphus; Don't Shoot)
Three Transformations: Long Soldier, Atiya, and Alexander
The Destruction of the Earth is the Destruction of All Childhoods: A Memory in Second Person of a Discussion of Inger Christensen's Alphabet
What is the Present For?
Mignon, or, Further Notes on the Past
Notes for a Cancelled Short Lecture on Reversible and Coded Form(s)
Wendy Xu and Emily Lee Luan on Return, Form, and Longing

Part Three
"Unfinished is Business": On Fandom and Stardom, Genre, Playing Your Role, and #9 Celtics Guard Derrick White; Coming to America
Paris Book: Why Write? Sick for the Future; Poem on Notre Dame des Champs
What I Don't Know About '89: Meeting My Baba in Poetry
Notes for an Opening (2015-2020)

Part Four
On Teaching
Notes

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• Estudos literários: poesia e poetas
• Ensaios literários
• Poesia

poetry; poetics; documentary poetics; poetic form; poetry essay; immigration; diaspora; Asian-American Studies; poetics of witness; agoraphobia; Liu Xiaobo; Liu Xia; Henri Michaux; Ocean Vuong; Layli Long Soldier; giovanni singleton; poetry pedagogy; Inger Christensen; Bei Dao; Diana Khoi Nguyen; Chase Berggrun; erasure poetry; political poetry; translation; Pier Paolo Pasolini