Ugly Productions
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Ugly Productions
An Aesthetics of Greek Drama
Duncan, A. C.
The University of Michigan Press
02/2025
292
Dura
9780472133598
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Introduction
Part I: Tragedy in Tatters: Ugly Aesthetics through Costume
Chapter 1: Dressed in Dishonor: Costume, Affect, and Aesthetics in Aeschylus' Persians
Chapter 2: The Aesthetic Limits of the Costume: Beauty, Embodiment, and Performance in Euripides' Helen, Electra, and Telephus
Part II: Tragic Ugliness on The Comic Stage
Chapter 3: Ugly Tragic Materials upon The Comic Stage in Acharnians
Chapter 4: Dramatic Aesthetics Across Gender and Genre in Aristophanes' Women at the Thesmophoria Festival
Part III: The Aesthetics of the Dramatic Corpse
Chapter 5: The Divergent Aesthetics of the Dead and Dying Bodies in Sophocles' Ajax and Women at Trachis and Euripides' Heracles
Chapter 6: The Corpse, In and Out of Frame
Epilogue: Plato, Aristotle, and the Remaking of Dramatic Aesthetics
Part I: Tragedy in Tatters: Ugly Aesthetics through Costume
Chapter 1: Dressed in Dishonor: Costume, Affect, and Aesthetics in Aeschylus' Persians
Chapter 2: The Aesthetic Limits of the Costume: Beauty, Embodiment, and Performance in Euripides' Helen, Electra, and Telephus
Part II: Tragic Ugliness on The Comic Stage
Chapter 3: Ugly Tragic Materials upon The Comic Stage in Acharnians
Chapter 4: Dramatic Aesthetics Across Gender and Genre in Aristophanes' Women at the Thesmophoria Festival
Part III: The Aesthetics of the Dramatic Corpse
Chapter 5: The Divergent Aesthetics of the Dead and Dying Bodies in Sophocles' Ajax and Women at Trachis and Euripides' Heracles
Chapter 6: The Corpse, In and Out of Frame
Epilogue: Plato, Aristotle, and the Remaking of Dramatic Aesthetics
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
the abject;Aeschylus;Aesthetics;affect;ancient Greece;Aristophanes;Aristotle;Athens;beauty;cognition;corpses;costume;deformity;Dionysus, drama;Euripides;gender;genre;literary criticism;masks;materiality;objects;Oedipus;Oresteia;performance;phenomenology;Plato;Poetics;rags;semiotics;Sophocles;theater;Theater of Dionysus;theory;ugliness
Introduction
Part I: Tragedy in Tatters: Ugly Aesthetics through Costume
Chapter 1: Dressed in Dishonor: Costume, Affect, and Aesthetics in Aeschylus' Persians
Chapter 2: The Aesthetic Limits of the Costume: Beauty, Embodiment, and Performance in Euripides' Helen, Electra, and Telephus
Part II: Tragic Ugliness on The Comic Stage
Chapter 3: Ugly Tragic Materials upon The Comic Stage in Acharnians
Chapter 4: Dramatic Aesthetics Across Gender and Genre in Aristophanes' Women at the Thesmophoria Festival
Part III: The Aesthetics of the Dramatic Corpse
Chapter 5: The Divergent Aesthetics of the Dead and Dying Bodies in Sophocles' Ajax and Women at Trachis and Euripides' Heracles
Chapter 6: The Corpse, In and Out of Frame
Epilogue: Plato, Aristotle, and the Remaking of Dramatic Aesthetics
Part I: Tragedy in Tatters: Ugly Aesthetics through Costume
Chapter 1: Dressed in Dishonor: Costume, Affect, and Aesthetics in Aeschylus' Persians
Chapter 2: The Aesthetic Limits of the Costume: Beauty, Embodiment, and Performance in Euripides' Helen, Electra, and Telephus
Part II: Tragic Ugliness on The Comic Stage
Chapter 3: Ugly Tragic Materials upon The Comic Stage in Acharnians
Chapter 4: Dramatic Aesthetics Across Gender and Genre in Aristophanes' Women at the Thesmophoria Festival
Part III: The Aesthetics of the Dramatic Corpse
Chapter 5: The Divergent Aesthetics of the Dead and Dying Bodies in Sophocles' Ajax and Women at Trachis and Euripides' Heracles
Chapter 6: The Corpse, In and Out of Frame
Epilogue: Plato, Aristotle, and the Remaking of Dramatic Aesthetics
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
the abject;Aeschylus;Aesthetics;affect;ancient Greece;Aristophanes;Aristotle;Athens;beauty;cognition;corpses;costume;deformity;Dionysus, drama;Euripides;gender;genre;literary criticism;masks;materiality;objects;Oedipus;Oresteia;performance;phenomenology;Plato;Poetics;rags;semiotics;Sophocles;theater;Theater of Dionysus;theory;ugliness
