Transpacific Experiments
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Transpacific Experiments
Intermedia Art and Music in 1960s Japan
Kaneda, Miki
The University of Michigan Press
04/2026
224
Mole
Inglês
9780472057948
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
About the Cover Image
Note on Names and Language
List of Illustrations
Acknowledgments
Prologue - The John Cage Shock was a Fiction: The 1960s Japanese Avant-Garde and Experimental Music as a Transnational Practice
Introduction - The Inappropriate Avant-Garde: Intermedia in 1960s Japan
Chapter 1 - The Sogetsu Art Center: The ba of the Mundane Archive
Chapter 2 - Archival Absences and Conditional Listening: How Jazz Shaped Experimental Music in 1960s Japan
Chapter 3 - Cross Talk Intermedia: The Aesthetics of Miscommunication, and Cultural Diplomacy
Chapter 4 - Expo'70: The Pinnacle or Intermedia, or, the Avant-Garde Faces Some Conundrums
Chapter 5 - Talismans and Relics: Intermedia EXPO in the 21st Century
Coda: Imagining a Transpacific Avant-Garde, of the sea
Notes
Bibliography
Index
Note on Names and Language
List of Illustrations
Acknowledgments
Prologue - The John Cage Shock was a Fiction: The 1960s Japanese Avant-Garde and Experimental Music as a Transnational Practice
Introduction - The Inappropriate Avant-Garde: Intermedia in 1960s Japan
Chapter 1 - The Sogetsu Art Center: The ba of the Mundane Archive
Chapter 2 - Archival Absences and Conditional Listening: How Jazz Shaped Experimental Music in 1960s Japan
Chapter 3 - Cross Talk Intermedia: The Aesthetics of Miscommunication, and Cultural Diplomacy
Chapter 4 - Expo'70: The Pinnacle or Intermedia, or, the Avant-Garde Faces Some Conundrums
Chapter 5 - Talismans and Relics: Intermedia EXPO in the 21st Century
Coda: Imagining a Transpacific Avant-Garde, of the sea
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Intermedia art; Experimental music; Japan; Transpacific; Avant-garde; Multimedia performance; Conceptual art; Fluxus movement; Sound art; race and gender in experimental practice; Art and the everyday; Historical ethnography; Archival materials; Transnational artistic practices; US-Japan relations; Cultural diplomacy; music and political ambivalence; Experimental collectives; performance historiography; postwar Japan; 1960s
About the Cover Image
Note on Names and Language
List of Illustrations
Acknowledgments
Prologue - The John Cage Shock was a Fiction: The 1960s Japanese Avant-Garde and Experimental Music as a Transnational Practice
Introduction - The Inappropriate Avant-Garde: Intermedia in 1960s Japan
Chapter 1 - The Sogetsu Art Center: The ba of the Mundane Archive
Chapter 2 - Archival Absences and Conditional Listening: How Jazz Shaped Experimental Music in 1960s Japan
Chapter 3 - Cross Talk Intermedia: The Aesthetics of Miscommunication, and Cultural Diplomacy
Chapter 4 - Expo'70: The Pinnacle or Intermedia, or, the Avant-Garde Faces Some Conundrums
Chapter 5 - Talismans and Relics: Intermedia EXPO in the 21st Century
Coda: Imagining a Transpacific Avant-Garde, of the sea
Notes
Bibliography
Index
Note on Names and Language
List of Illustrations
Acknowledgments
Prologue - The John Cage Shock was a Fiction: The 1960s Japanese Avant-Garde and Experimental Music as a Transnational Practice
Introduction - The Inappropriate Avant-Garde: Intermedia in 1960s Japan
Chapter 1 - The Sogetsu Art Center: The ba of the Mundane Archive
Chapter 2 - Archival Absences and Conditional Listening: How Jazz Shaped Experimental Music in 1960s Japan
Chapter 3 - Cross Talk Intermedia: The Aesthetics of Miscommunication, and Cultural Diplomacy
Chapter 4 - Expo'70: The Pinnacle or Intermedia, or, the Avant-Garde Faces Some Conundrums
Chapter 5 - Talismans and Relics: Intermedia EXPO in the 21st Century
Coda: Imagining a Transpacific Avant-Garde, of the sea
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Intermedia art; Experimental music; Japan; Transpacific; Avant-garde; Multimedia performance; Conceptual art; Fluxus movement; Sound art; race and gender in experimental practice; Art and the everyday; Historical ethnography; Archival materials; Transnational artistic practices; US-Japan relations; Cultural diplomacy; music and political ambivalence; Experimental collectives; performance historiography; postwar Japan; 1960s
