Dancing Opacity
Dancing Opacity
Contemporary Dance, Transnationalism, and Queer Possibility in Senegal
Swanson, Amy E.
The University of Michigan Press
09/2025
280
Mole
Inglês
9780472057665
15 a 20 dias
Descrição não disponível.
List of Illustrations
Acknowledgements
Introduction
Chapter 1. Entanglement: France, Africa, and la Biennale de la danse en Afrique
Chapter 2. Openness: Internationalism and Gender in 1970s-1980s Dance Studios
Chapter 3. Otherwise: Contemporary Dance Training as Queer Praxis
Chapter 4. Ambiguity: Assemblages of Senegalese Masculinities
Chapter 5. Unfolding: Iterations of African Womanhood
Conclusion: La ville en mouv'ment and Queer Afro-Futurities
Epilogue
Glossary
Notes
Bibliography
Index
Acknowledgements
Introduction
Chapter 1. Entanglement: France, Africa, and la Biennale de la danse en Afrique
Chapter 2. Openness: Internationalism and Gender in 1970s-1980s Dance Studios
Chapter 3. Otherwise: Contemporary Dance Training as Queer Praxis
Chapter 4. Ambiguity: Assemblages of Senegalese Masculinities
Chapter 5. Unfolding: Iterations of African Womanhood
Conclusion: La ville en mouv'ment and Queer Afro-Futurities
Epilogue
Glossary
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Contemporary dance; contemporary African dance; African contemporary dance; African dance; transnationalism; queer African studies; African gender; African sexuality; Senegalese gender; Senegalese sexuality; Senegal; Senegalese dance; Germaine Acogny; École des Sables; Andréya Ouamba; Compagnie 1er Temps; Ateliers Expériences et Corps AEx Coprs; Fatou Cissé; Ousmane Noël Cissé; opacity; ambiguity; queer aesthetics; queer possibility; neoliberalism; homophobia; French Institute; Biennale de la danse en Afrique; Danse l’Afrique danse; Mudra Afrique Compagnie 1er Temps; Ousmane Noêl Cissé
List of Illustrations
Acknowledgements
Introduction
Chapter 1. Entanglement: France, Africa, and la Biennale de la danse en Afrique
Chapter 2. Openness: Internationalism and Gender in 1970s-1980s Dance Studios
Chapter 3. Otherwise: Contemporary Dance Training as Queer Praxis
Chapter 4. Ambiguity: Assemblages of Senegalese Masculinities
Chapter 5. Unfolding: Iterations of African Womanhood
Conclusion: La ville en mouv'ment and Queer Afro-Futurities
Epilogue
Glossary
Notes
Bibliography
Index
Acknowledgements
Introduction
Chapter 1. Entanglement: France, Africa, and la Biennale de la danse en Afrique
Chapter 2. Openness: Internationalism and Gender in 1970s-1980s Dance Studios
Chapter 3. Otherwise: Contemporary Dance Training as Queer Praxis
Chapter 4. Ambiguity: Assemblages of Senegalese Masculinities
Chapter 5. Unfolding: Iterations of African Womanhood
Conclusion: La ville en mouv'ment and Queer Afro-Futurities
Epilogue
Glossary
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Contemporary dance; contemporary African dance; African contemporary dance; African dance; transnationalism; queer African studies; African gender; African sexuality; Senegalese gender; Senegalese sexuality; Senegal; Senegalese dance; Germaine Acogny; École des Sables; Andréya Ouamba; Compagnie 1er Temps; Ateliers Expériences et Corps AEx Coprs; Fatou Cissé; Ousmane Noël Cissé; opacity; ambiguity; queer aesthetics; queer possibility; neoliberalism; homophobia; French Institute; Biennale de la danse en Afrique; Danse l’Afrique danse; Mudra Afrique Compagnie 1er Temps; Ousmane Noêl Cissé