Contemporary Opera in Flux
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Contemporary Opera in Flux
Everett, Yayoi U
The University of Michigan Press
10/2024
348
Dura
Inglês
9780472076260
15 a 20 dias
Descrição não disponível.
Table of Contents
List of Illustrations
Acknowledgements
Foreword by Susan McClary
Introduction by Yayoi U. Everett and Nicholas D. Stevens
Chapter 1: Nicholas D. Stevens, "Fear of an Envoiced Planet: Speculative Arias of the (Post)operatic Hyperobject"
Chapter 2: Jelena Novak, "Opera in the Expanded Field: Singing Beyond Human"
Chapter 3: Ryan Ebright, "Steve Reich's The Cave, Theater of Testimony, and the Documentary Turn in America Opera"
Chapter 4: Amy Bauer, "!Unicamente La Verdad! (Only the Truth!): Camelia la Tejana's Many Truths"
Chapter 5: Alexander K. Rothe, "Gesture and Dramaturgy of the Avatar in George Lewis's Afterword"
Chapter 6: Joy H. Calico, "Modes of Engagement with Experimental Opera: Chaya Czernowin's Infinite Now as Case Study"
Chapter 7: Nancy Yunhwa Rao, "Inter-Asia Sensibility-Tan Dun's Tea: A Mirror of Soul"
Chapter 8: Colleen Renihan, "Of Sense and Sirens: Ana Sokolovic's Svadba and Six Voix Pour Sirenes"
Chapter 9: Jane I. Forner, "Sex, Sin, and Myth: Reclaiming the 'Dark Feminine' in Anthony Davis's Lilith (2009)"
Chapter 10: Edward Venn, "Narratives of the Self in Thomas Hyde's That Man Stephen Ward"
Chapter 11: Yayoi U. Everett, "Narrative Agencies in Annie Proulx and Charles Wuorinen's Brokeback Mountain (2014)"
Chapter 12: Mauro Fosco Bertola, "From Subjectivity to Biopolitics: The Dream in Salvatore Sciarrino's Music Theatre"
Bibliography
Author biography
List of Illustrations
Acknowledgements
Foreword by Susan McClary
Introduction by Yayoi U. Everett and Nicholas D. Stevens
Chapter 1: Nicholas D. Stevens, "Fear of an Envoiced Planet: Speculative Arias of the (Post)operatic Hyperobject"
Chapter 2: Jelena Novak, "Opera in the Expanded Field: Singing Beyond Human"
Chapter 3: Ryan Ebright, "Steve Reich's The Cave, Theater of Testimony, and the Documentary Turn in America Opera"
Chapter 4: Amy Bauer, "!Unicamente La Verdad! (Only the Truth!): Camelia la Tejana's Many Truths"
Chapter 5: Alexander K. Rothe, "Gesture and Dramaturgy of the Avatar in George Lewis's Afterword"
Chapter 6: Joy H. Calico, "Modes of Engagement with Experimental Opera: Chaya Czernowin's Infinite Now as Case Study"
Chapter 7: Nancy Yunhwa Rao, "Inter-Asia Sensibility-Tan Dun's Tea: A Mirror of Soul"
Chapter 8: Colleen Renihan, "Of Sense and Sirens: Ana Sokolovic's Svadba and Six Voix Pour Sirenes"
Chapter 9: Jane I. Forner, "Sex, Sin, and Myth: Reclaiming the 'Dark Feminine' in Anthony Davis's Lilith (2009)"
Chapter 10: Edward Venn, "Narratives of the Self in Thomas Hyde's That Man Stephen Ward"
Chapter 11: Yayoi U. Everett, "Narrative Agencies in Annie Proulx and Charles Wuorinen's Brokeback Mountain (2014)"
Chapter 12: Mauro Fosco Bertola, "From Subjectivity to Biopolitics: The Dream in Salvatore Sciarrino's Music Theatre"
Bibliography
Author biography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
posthumanism;postdramatic theatre;postopera;spatialized dramaturgy;vocality;avatar;Laconian analysis;split subjectivity;Yuval Sharon;site-specific performance;Kaija Saariaho;Dai Fujikura;Ashley Fure;Steve Reich;Gabriela Ortiz;Michel van de Aa;George Lewis;Anthony Davis;Charles Wuorinen;Tan Dun;Chaya Czernowin;Ana Skolovic;Thomas Hyde;Salvatore Sciarrino
Table of Contents
List of Illustrations
Acknowledgements
Foreword by Susan McClary
Introduction by Yayoi U. Everett and Nicholas D. Stevens
Chapter 1: Nicholas D. Stevens, "Fear of an Envoiced Planet: Speculative Arias of the (Post)operatic Hyperobject"
Chapter 2: Jelena Novak, "Opera in the Expanded Field: Singing Beyond Human"
Chapter 3: Ryan Ebright, "Steve Reich's The Cave, Theater of Testimony, and the Documentary Turn in America Opera"
Chapter 4: Amy Bauer, "!Unicamente La Verdad! (Only the Truth!): Camelia la Tejana's Many Truths"
Chapter 5: Alexander K. Rothe, "Gesture and Dramaturgy of the Avatar in George Lewis's Afterword"
Chapter 6: Joy H. Calico, "Modes of Engagement with Experimental Opera: Chaya Czernowin's Infinite Now as Case Study"
Chapter 7: Nancy Yunhwa Rao, "Inter-Asia Sensibility-Tan Dun's Tea: A Mirror of Soul"
Chapter 8: Colleen Renihan, "Of Sense and Sirens: Ana Sokolovic's Svadba and Six Voix Pour Sirenes"
Chapter 9: Jane I. Forner, "Sex, Sin, and Myth: Reclaiming the 'Dark Feminine' in Anthony Davis's Lilith (2009)"
Chapter 10: Edward Venn, "Narratives of the Self in Thomas Hyde's That Man Stephen Ward"
Chapter 11: Yayoi U. Everett, "Narrative Agencies in Annie Proulx and Charles Wuorinen's Brokeback Mountain (2014)"
Chapter 12: Mauro Fosco Bertola, "From Subjectivity to Biopolitics: The Dream in Salvatore Sciarrino's Music Theatre"
Bibliography
Author biography
List of Illustrations
Acknowledgements
Foreword by Susan McClary
Introduction by Yayoi U. Everett and Nicholas D. Stevens
Chapter 1: Nicholas D. Stevens, "Fear of an Envoiced Planet: Speculative Arias of the (Post)operatic Hyperobject"
Chapter 2: Jelena Novak, "Opera in the Expanded Field: Singing Beyond Human"
Chapter 3: Ryan Ebright, "Steve Reich's The Cave, Theater of Testimony, and the Documentary Turn in America Opera"
Chapter 4: Amy Bauer, "!Unicamente La Verdad! (Only the Truth!): Camelia la Tejana's Many Truths"
Chapter 5: Alexander K. Rothe, "Gesture and Dramaturgy of the Avatar in George Lewis's Afterword"
Chapter 6: Joy H. Calico, "Modes of Engagement with Experimental Opera: Chaya Czernowin's Infinite Now as Case Study"
Chapter 7: Nancy Yunhwa Rao, "Inter-Asia Sensibility-Tan Dun's Tea: A Mirror of Soul"
Chapter 8: Colleen Renihan, "Of Sense and Sirens: Ana Sokolovic's Svadba and Six Voix Pour Sirenes"
Chapter 9: Jane I. Forner, "Sex, Sin, and Myth: Reclaiming the 'Dark Feminine' in Anthony Davis's Lilith (2009)"
Chapter 10: Edward Venn, "Narratives of the Self in Thomas Hyde's That Man Stephen Ward"
Chapter 11: Yayoi U. Everett, "Narrative Agencies in Annie Proulx and Charles Wuorinen's Brokeback Mountain (2014)"
Chapter 12: Mauro Fosco Bertola, "From Subjectivity to Biopolitics: The Dream in Salvatore Sciarrino's Music Theatre"
Bibliography
Author biography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
posthumanism;postdramatic theatre;postopera;spatialized dramaturgy;vocality;avatar;Laconian analysis;split subjectivity;Yuval Sharon;site-specific performance;Kaija Saariaho;Dai Fujikura;Ashley Fure;Steve Reich;Gabriela Ortiz;Michel van de Aa;George Lewis;Anthony Davis;Charles Wuorinen;Tan Dun;Chaya Czernowin;Ana Skolovic;Thomas Hyde;Salvatore Sciarrino
