Theorizing Imitation in the Visual Arts
-15%
portes grátis
Theorizing Imitation in the Visual Arts
Global Contexts
Duro, Paul
John Wiley & Sons Inc
12/2015
240
Mole
Inglês
9781119004035
15 a 20 dias
The theory and practice of imitation has long been central to the construction of art and yet imitation is still frequently confused with copying. Theorizing Imitation in the Visual Arts challenges this prejudice by revealing the ubiquity of the practice across cultures and geographical borders.
6 Notes on Contributors 8 Chapter 1 Why Imitation, and Why Global? Paul Duro 30 Chapter 2 Post-Western Poetics: Postmodern Appropriation Art in Australia Ian McLean 50 Chapter 3 Essentially the Same: Eduardo Costa s Minimal Differences and Latin American Conceptualism Patrick Greaney 68 Chapter 4 Like Father, Like Son: Bernini s Filial Imitation of Michelangelo Carolina Mangone 90 Chapter 5 Navajo Sandpainting in the Age of Cross-Cultural Replication Janet Catherine Berlo 110 Chapter 6 Copying and Theory in Edo-Period Japan (1615-1868) Kazuko Kameda-Madar 130 Chapter 7 Original Imitations for Sale: Dafen and Artistic Commodification Vivian Li 146 Chapter 8 The Temporal Logic of Citation in Chinese Painting Martin J. Powers 166 Chapter 9 Ingemination Richard Shiff 186 Chapter 10 The Image Valued As Found and the Reconfiguring of Mimesis in Post-War Art Alex Potts 208 Chapter 11 History Lessons: Imitation, Work and the Temporality of Contemporary Art Jonathan Bordo 229 Index
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The theory and practice of imitation has long been central to the construction of art and yet imitation is still frequently confused with copying. Theorizing Imitation in the Visual Arts challenges this prejudice by revealing the ubiquity of the practice across cultures and geographical borders.
6 Notes on Contributors 8 Chapter 1 Why Imitation, and Why Global? Paul Duro 30 Chapter 2 Post-Western Poetics: Postmodern Appropriation Art in Australia Ian McLean 50 Chapter 3 Essentially the Same: Eduardo Costa s Minimal Differences and Latin American Conceptualism Patrick Greaney 68 Chapter 4 Like Father, Like Son: Bernini s Filial Imitation of Michelangelo Carolina Mangone 90 Chapter 5 Navajo Sandpainting in the Age of Cross-Cultural Replication Janet Catherine Berlo 110 Chapter 6 Copying and Theory in Edo-Period Japan (1615-1868) Kazuko Kameda-Madar 130 Chapter 7 Original Imitations for Sale: Dafen and Artistic Commodification Vivian Li 146 Chapter 8 The Temporal Logic of Citation in Chinese Painting Martin J. Powers 166 Chapter 9 Ingemination Richard Shiff 186 Chapter 10 The Image Valued As Found and the Reconfiguring of Mimesis in Post-War Art Alex Potts 208 Chapter 11 History Lessons: Imitation, Work and the Temporality of Contemporary Art Jonathan Bordo 229 Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
