Bastard Instrument

Introduction: Music History from the Bottom Up
Part I: Origin Stories
Interlude I: The Forebears
CHAPTER ONE: The Modern Instrument: Leo Fender and the Early Years of the Fender Precision Bass
Interlude II: Everett Hull and the Amplified Peg
CHAPTER TWO: The Novelty Instrument: Monk Montgomery's Jazz Innovations
Part II: The Road to Legitimacy
Interlude III: Deep in the Heart of Texas
CHAPTER THREE: The Practical Instrument: Rock 'n' Roll Live and In-Studio
Interlude IV: Born in Chicago
CHAPTER FOUR: The Picked Instrument: Reinventing the Sound of the Electric Bass
CHAPTER FIVE: The Amateur Instrument: The Teenage Garage Band Revolution
Interlude V: The Electric Bass in England
Part III: New Sounds, New Roles
CHAPTER SIX: The Studio Instrument: Session Musicians and Stylistic Innovations
CHAPTER SEVEN: The Default Instrument: British Bassists and Mid-Sixties Rock
Interlude VI: Ain't it Funky Now
CHAPTER EIGHT: The Lead Instrument: San Francisco and Psychedelia
Conclusion: The Electric Bass and the Adjacent Possible
Notes
Bibliography
Index

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• Guitarra
• Instrumentos e conjuntos musicais
• Cultura popular

electric bass; bass guitar; Leo Fender; Fender Precision Bass; Ampeg; Lionel Hampton; Monk Montgomery; Tony de la Rosa; Ray Price; Elvis Presley; Buddy Holly; Little Richard; Gibson Electric Bass; Buddy Guy; Chuck Berry; Patsy Cline; Harold Bradley; Eddie Cochran; Duane Eddy; Brenda Lee; the Ventures; the Chantels; garage rock; rock 'n' roll; rhythm & blues; country music; Nashville Sound; Chicago electric blues; the Shadows; skiffle; Wrecking Crew; Funk Brothers; Booker T. and the MGs; Aretha Franklin; Stax; Motown; Carol Kaye; Joe Osborn; James Jamerson; Jerry Jemmott; Chuck Rainey; the Who; the Beatles; the Rolling Stones; British invasion; James Brown; Bootsy Collins; funk; Jefferson Airplane; psychedelic rock; Sly and the Family Stone; Larry Graham