Staging Blackness
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Staging Blackness
Representations of Race in German-Speaking Drama and Theater
Tonger-Erk, Lily; Layne, Priscilla Dionne
The University of Michigan Press
05/2024
342
Mole
Inglês
9780472056248
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Priscilla Layne & Lily Tonger-Erk
Centuries of Staging Blackness in Germany: An Introduction
I: Black Figures. Race-ing the Canon
Wendy-Lou Sutherland
"Looking at the Overlooked": The Table as Global Stage in Karl Gotthelf Lessing's "Die Maetresse" (1780)
Sigrid G. Koehler
Black Revolution - Or: Reflection of History in Tragedy. Resistance and Slavery as Theme in Popular German-language Theater (1775-1810)
Irmtraud Hnilica
Monostatos' Longing: Staging Blackness in Mozart's "The Magic Flute"
Franziska Bergmann
Economies of Compassion and Skin Color in Friedrich Schiller's "Fiesco's Conspiracy at Genoa" (1783)
Lily Tonger-Erk
Staging Whiteness: Race and Aesthetics in Schiller's "The Robbers" and Antu Romero Nunes' 2012-2013 Production
Norbert Otto Eke
Blackness in Heiner Mueller's Imaginary
II: Black Performance and Practices of Blackfacing
Jeff Bowersox
Blackface and Black Faces on German and Austrian Stages, 1847-1914
Evelyn Annuss
Racisms and Representation. Staging Defacement in Germany Contextualized
Jonathan Wipplinger
The "Biguine": The African Diasporic Presence at Weimar's End
Andrea Geier
How Education about Racism can(not) succeed: Blackface in Literature, Theater, and Film
III: Black Artists. Race, Theater, Institution
Azadeh Sharifi
Coloniality and decolonial practices in contemporary German theater
Olivia Landry
"Black Bismarck" and the Circum-Mediterranean Performance of Black German Theater
Hanna Voss
From Drama School to Stage: Young Actors of Color in German-Speaking "Sprechtheater"
Simone Dede Ayivi, director and author
Rahel Jankowski, actress
Michael Klammer, actor
Philipp Khabo Koepsell, author
Olivia Wenzel, author, musician, performer
Roundtable Discussion
Anta Helena Recke
Judgment, Power, and Participation in Theater. Based on the Ascending Career of a Black Female Artist in Germany during the Latter Half of the 2010s
Contributors
Index
Centuries of Staging Blackness in Germany: An Introduction
I: Black Figures. Race-ing the Canon
Wendy-Lou Sutherland
"Looking at the Overlooked": The Table as Global Stage in Karl Gotthelf Lessing's "Die Maetresse" (1780)
Sigrid G. Koehler
Black Revolution - Or: Reflection of History in Tragedy. Resistance and Slavery as Theme in Popular German-language Theater (1775-1810)
Irmtraud Hnilica
Monostatos' Longing: Staging Blackness in Mozart's "The Magic Flute"
Franziska Bergmann
Economies of Compassion and Skin Color in Friedrich Schiller's "Fiesco's Conspiracy at Genoa" (1783)
Lily Tonger-Erk
Staging Whiteness: Race and Aesthetics in Schiller's "The Robbers" and Antu Romero Nunes' 2012-2013 Production
Norbert Otto Eke
Blackness in Heiner Mueller's Imaginary
II: Black Performance and Practices of Blackfacing
Jeff Bowersox
Blackface and Black Faces on German and Austrian Stages, 1847-1914
Evelyn Annuss
Racisms and Representation. Staging Defacement in Germany Contextualized
Jonathan Wipplinger
The "Biguine": The African Diasporic Presence at Weimar's End
Andrea Geier
How Education about Racism can(not) succeed: Blackface in Literature, Theater, and Film
III: Black Artists. Race, Theater, Institution
Azadeh Sharifi
Coloniality and decolonial practices in contemporary German theater
Olivia Landry
"Black Bismarck" and the Circum-Mediterranean Performance of Black German Theater
Hanna Voss
From Drama School to Stage: Young Actors of Color in German-Speaking "Sprechtheater"
Simone Dede Ayivi, director and author
Rahel Jankowski, actress
Michael Klammer, actor
Philipp Khabo Koepsell, author
Olivia Wenzel, author, musician, performer
Roundtable Discussion
Anta Helena Recke
Judgment, Power, and Participation in Theater. Based on the Ascending Career of a Black Female Artist in Germany during the Latter Half of the 2010s
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
performance; drama; theater; German-language; Germany; race; Blackness; blackface; postcolonial; decolonial; critical race theory; 18th century; 19th century; 20th century; 21st century
Priscilla Layne & Lily Tonger-Erk
Centuries of Staging Blackness in Germany: An Introduction
I: Black Figures. Race-ing the Canon
Wendy-Lou Sutherland
"Looking at the Overlooked": The Table as Global Stage in Karl Gotthelf Lessing's "Die Maetresse" (1780)
Sigrid G. Koehler
Black Revolution - Or: Reflection of History in Tragedy. Resistance and Slavery as Theme in Popular German-language Theater (1775-1810)
Irmtraud Hnilica
Monostatos' Longing: Staging Blackness in Mozart's "The Magic Flute"
Franziska Bergmann
Economies of Compassion and Skin Color in Friedrich Schiller's "Fiesco's Conspiracy at Genoa" (1783)
Lily Tonger-Erk
Staging Whiteness: Race and Aesthetics in Schiller's "The Robbers" and Antu Romero Nunes' 2012-2013 Production
Norbert Otto Eke
Blackness in Heiner Mueller's Imaginary
II: Black Performance and Practices of Blackfacing
Jeff Bowersox
Blackface and Black Faces on German and Austrian Stages, 1847-1914
Evelyn Annuss
Racisms and Representation. Staging Defacement in Germany Contextualized
Jonathan Wipplinger
The "Biguine": The African Diasporic Presence at Weimar's End
Andrea Geier
How Education about Racism can(not) succeed: Blackface in Literature, Theater, and Film
III: Black Artists. Race, Theater, Institution
Azadeh Sharifi
Coloniality and decolonial practices in contemporary German theater
Olivia Landry
"Black Bismarck" and the Circum-Mediterranean Performance of Black German Theater
Hanna Voss
From Drama School to Stage: Young Actors of Color in German-Speaking "Sprechtheater"
Simone Dede Ayivi, director and author
Rahel Jankowski, actress
Michael Klammer, actor
Philipp Khabo Koepsell, author
Olivia Wenzel, author, musician, performer
Roundtable Discussion
Anta Helena Recke
Judgment, Power, and Participation in Theater. Based on the Ascending Career of a Black Female Artist in Germany during the Latter Half of the 2010s
Contributors
Index
Centuries of Staging Blackness in Germany: An Introduction
I: Black Figures. Race-ing the Canon
Wendy-Lou Sutherland
"Looking at the Overlooked": The Table as Global Stage in Karl Gotthelf Lessing's "Die Maetresse" (1780)
Sigrid G. Koehler
Black Revolution - Or: Reflection of History in Tragedy. Resistance and Slavery as Theme in Popular German-language Theater (1775-1810)
Irmtraud Hnilica
Monostatos' Longing: Staging Blackness in Mozart's "The Magic Flute"
Franziska Bergmann
Economies of Compassion and Skin Color in Friedrich Schiller's "Fiesco's Conspiracy at Genoa" (1783)
Lily Tonger-Erk
Staging Whiteness: Race and Aesthetics in Schiller's "The Robbers" and Antu Romero Nunes' 2012-2013 Production
Norbert Otto Eke
Blackness in Heiner Mueller's Imaginary
II: Black Performance and Practices of Blackfacing
Jeff Bowersox
Blackface and Black Faces on German and Austrian Stages, 1847-1914
Evelyn Annuss
Racisms and Representation. Staging Defacement in Germany Contextualized
Jonathan Wipplinger
The "Biguine": The African Diasporic Presence at Weimar's End
Andrea Geier
How Education about Racism can(not) succeed: Blackface in Literature, Theater, and Film
III: Black Artists. Race, Theater, Institution
Azadeh Sharifi
Coloniality and decolonial practices in contemporary German theater
Olivia Landry
"Black Bismarck" and the Circum-Mediterranean Performance of Black German Theater
Hanna Voss
From Drama School to Stage: Young Actors of Color in German-Speaking "Sprechtheater"
Simone Dede Ayivi, director and author
Rahel Jankowski, actress
Michael Klammer, actor
Philipp Khabo Koepsell, author
Olivia Wenzel, author, musician, performer
Roundtable Discussion
Anta Helena Recke
Judgment, Power, and Participation in Theater. Based on the Ascending Career of a Black Female Artist in Germany during the Latter Half of the 2010s
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
