Racing the Great White Way
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portes grátis
Racing the Great White Way
Black Performance, Eugene O'Neill, and the Transformation of Broadway
Johnson, Katie N.
The University of Michigan Press
07/2023
270
Mole
Inglês
9780472055784
15 a 20 dias
Descrição não disponível.
List of Illustrations
Acknowledgments
Introduction
Chapter 1: The Emperor's Remains
Chapter 2: An Algerian in Paris
Chapter 3: Broadway's First Interracial Kiss
Chapter 4: Racing Operatic Emperors
Chapter 5: Racing the Cut: Black to Ireland
Conclusion: What Remains?
Bibliography
Index
Acknowledgments
Introduction
Chapter 1: The Emperor's Remains
Chapter 2: An Algerian in Paris
Chapter 3: Broadway's First Interracial Kiss
Chapter 4: Racing Operatic Emperors
Chapter 5: Racing the Cut: Black to Ireland
Conclusion: What Remains?
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Eugene O’Neill; Paul Robeson; American theater; Harlem Renaissance; Emperor Jones; All God’s Chillun Got Wings; African American performance; American film; African American film; Charles Gilpin; Dudley Murphy; Habib Benglia; diasporia; postcolonial performance; breaking color lines; Jules Bledsoe; blackface; Metropolitan Opera; transnational theater
List of Illustrations
Acknowledgments
Introduction
Chapter 1: The Emperor's Remains
Chapter 2: An Algerian in Paris
Chapter 3: Broadway's First Interracial Kiss
Chapter 4: Racing Operatic Emperors
Chapter 5: Racing the Cut: Black to Ireland
Conclusion: What Remains?
Bibliography
Index
Acknowledgments
Introduction
Chapter 1: The Emperor's Remains
Chapter 2: An Algerian in Paris
Chapter 3: Broadway's First Interracial Kiss
Chapter 4: Racing Operatic Emperors
Chapter 5: Racing the Cut: Black to Ireland
Conclusion: What Remains?
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Eugene O’Neill; Paul Robeson; American theater; Harlem Renaissance; Emperor Jones; All God’s Chillun Got Wings; African American performance; American film; African American film; Charles Gilpin; Dudley Murphy; Habib Benglia; diasporia; postcolonial performance; breaking color lines; Jules Bledsoe; blackface; Metropolitan Opera; transnational theater