Ghosts and the Overplus
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Ghosts and the Overplus
Reading Poetry in the Twenty-First Century
Pugh, Christina
The University of Michigan Press
03/2024
202
Mole
Inglês
9780472039609
15 a 20 dias
Descrição não disponível.
Introduction
2005-2010: This Work Which is Not One
No Experience Necessary
Instinctual Ballast: Imitation and Creative Writing
On Sonnet Thought
Humor Anxiety
Allusion and Context in Contemporary American Poetry
Ed Roberson's Inward Lyricism
Light in Nagasaki: Catherine McCarthy's "We Walk On Jewels"
"Some Chant I'm Working At"
An Elegy for Dancing
2011-2015: Gravity, Images, and the Hand
On Nonconformists and Strange Gravity
The Emily Dickinsons
"A Lovely Finish I Have Seen": Voice and Variorum in Edgar Allan Poe & the Juke-Box
"Arranging, Deepening, Enchanting" : Catherine McCarthy's
Flower Arranging
A Farm, Two Spiders, and A Book of Luminous Things:
Czeslaw Milosz's Affinity for the Image
Turning, Troping, Wresting: Michael Ryan's "My Dream by
Henry James"
"Found Breath": The Contemporary "Mainstream" Lyric
2015-2021: Voicing the Overplus
Prosopopoeia: The Throwing of a Voice
"Velvety Velour" and Other Sonnet Textures in Gwendolyn Brooks's "the children of the poor"
"Cinnamon. Eyeshadow. Dove": Considering Jean Valentine (1934-2020)
On Ghosts and the Overplus
2005-2010: This Work Which is Not One
No Experience Necessary
Instinctual Ballast: Imitation and Creative Writing
On Sonnet Thought
Humor Anxiety
Allusion and Context in Contemporary American Poetry
Ed Roberson's Inward Lyricism
Light in Nagasaki: Catherine McCarthy's "We Walk On Jewels"
"Some Chant I'm Working At"
An Elegy for Dancing
2011-2015: Gravity, Images, and the Hand
On Nonconformists and Strange Gravity
The Emily Dickinsons
"A Lovely Finish I Have Seen": Voice and Variorum in Edgar Allan Poe & the Juke-Box
"Arranging, Deepening, Enchanting" : Catherine McCarthy's
Flower Arranging
A Farm, Two Spiders, and A Book of Luminous Things:
Czeslaw Milosz's Affinity for the Image
Turning, Troping, Wresting: Michael Ryan's "My Dream by
Henry James"
"Found Breath": The Contemporary "Mainstream" Lyric
2015-2021: Voicing the Overplus
Prosopopoeia: The Throwing of a Voice
"Velvety Velour" and Other Sonnet Textures in Gwendolyn Brooks's "the children of the poor"
"Cinnamon. Eyeshadow. Dove": Considering Jean Valentine (1934-2020)
On Ghosts and the Overplus
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
contemporary poetry; poetry criticism written by poets; Emily Dickinson; Gwendolyn Brooks; Jean Valentine; Elizabeth Bishop; Ed Roberson; Paul Petrie; Jane Mead; allusion; Roland Barthes; Claudia Emerson; Czeslaw Milosz; sonnet; Michael Ryan; imitation in poetry; nonconformist; humor in poetry; poetry and experience; close reading of poetry; manuscripts of women poets
Introduction
2005-2010: This Work Which is Not One
No Experience Necessary
Instinctual Ballast: Imitation and Creative Writing
On Sonnet Thought
Humor Anxiety
Allusion and Context in Contemporary American Poetry
Ed Roberson's Inward Lyricism
Light in Nagasaki: Catherine McCarthy's "We Walk On Jewels"
"Some Chant I'm Working At"
An Elegy for Dancing
2011-2015: Gravity, Images, and the Hand
On Nonconformists and Strange Gravity
The Emily Dickinsons
"A Lovely Finish I Have Seen": Voice and Variorum in Edgar Allan Poe & the Juke-Box
"Arranging, Deepening, Enchanting" : Catherine McCarthy's
Flower Arranging
A Farm, Two Spiders, and A Book of Luminous Things:
Czeslaw Milosz's Affinity for the Image
Turning, Troping, Wresting: Michael Ryan's "My Dream by
Henry James"
"Found Breath": The Contemporary "Mainstream" Lyric
2015-2021: Voicing the Overplus
Prosopopoeia: The Throwing of a Voice
"Velvety Velour" and Other Sonnet Textures in Gwendolyn Brooks's "the children of the poor"
"Cinnamon. Eyeshadow. Dove": Considering Jean Valentine (1934-2020)
On Ghosts and the Overplus
2005-2010: This Work Which is Not One
No Experience Necessary
Instinctual Ballast: Imitation and Creative Writing
On Sonnet Thought
Humor Anxiety
Allusion and Context in Contemporary American Poetry
Ed Roberson's Inward Lyricism
Light in Nagasaki: Catherine McCarthy's "We Walk On Jewels"
"Some Chant I'm Working At"
An Elegy for Dancing
2011-2015: Gravity, Images, and the Hand
On Nonconformists and Strange Gravity
The Emily Dickinsons
"A Lovely Finish I Have Seen": Voice and Variorum in Edgar Allan Poe & the Juke-Box
"Arranging, Deepening, Enchanting" : Catherine McCarthy's
Flower Arranging
A Farm, Two Spiders, and A Book of Luminous Things:
Czeslaw Milosz's Affinity for the Image
Turning, Troping, Wresting: Michael Ryan's "My Dream by
Henry James"
"Found Breath": The Contemporary "Mainstream" Lyric
2015-2021: Voicing the Overplus
Prosopopoeia: The Throwing of a Voice
"Velvety Velour" and Other Sonnet Textures in Gwendolyn Brooks's "the children of the poor"
"Cinnamon. Eyeshadow. Dove": Considering Jean Valentine (1934-2020)
On Ghosts and the Overplus
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
contemporary poetry; poetry criticism written by poets; Emily Dickinson; Gwendolyn Brooks; Jean Valentine; Elizabeth Bishop; Ed Roberson; Paul Petrie; Jane Mead; allusion; Roland Barthes; Claudia Emerson; Czeslaw Milosz; sonnet; Michael Ryan; imitation in poetry; nonconformist; humor in poetry; poetry and experience; close reading of poetry; manuscripts of women poets
